—: Evolution :— I think a child should take a monkey's hand, And say, “Whatever comes, we have it, you and I . . . (ee-e-e-k, eek!) Let us be restless, chatter, squeal and shriek, Swing by our tails, and do indelicate things— See the poor, desolate houses, made of brick.”
—: Parenthesis :— Have done with many knowledges— this gamin music, and the harmonica, de courte haleine, ensigns of sound the night flutters in the street below— I testify this goodness. This is a tune we know— like other songs that memory blends with frogs and soft spring noises. We sat the bridge rail, then. (And the wide night was gracious. It was a friend ) Here you have me. I speak saying: I should not fit you at equating senators. Connive with someone else to parse a bank.
H.B. Armitage published just two poems that I know of, one in The Double Dealer (1926) and another in the Paris-based poetry magazine Transition (1927), founded by Eugene Jolas, Maria McDonald, and Elliot Paul.
“Engaged in publicity for the publisher Houghton Mifflin & Co.; Graduate of Clark University, Worcester, Massachusetts. Armitage has tried a number of occupations since graduation.” (The Double Dealer, 1926) Other than this, nothing more is known of their life, or poetry.
—: After H.B. Armitage :— by Dick Whyte ❖ A Note On Birth open mouth like bird like—sing ❖ A Note On Life breathe, breathe, breathe, breathe, breathe, breathe— ❖ A Note On Death inhale, exhale, inhale, ex—
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More poems about children . . .
This morning I thought if there's a god, it's breath and then I read your poem.
¡Abre la boca como un pájaro y canta!