Gwendolyn B. Bennett - 6 Short Poems (1923-26)
Forgotten Poems #92 || Reissue #9
—: Quatrain :— How strange that grass should sing— Grass is so still a thing . . . And strange the swift surprise of snow,— So soft it falls and slow.
—: Nocturne :— This cool night is strange Among midsummer days . . , Far frosts are caught In the moon’s pale light, And sounds are distant laughter Chilled to crystal tears.
—: Purgation :— You lived and your body Clothed the flames of earth. Now that the fires have burned away And left your body cold, I tremble as I stand Before the chiseled marble Of your dust-freed soul.
—: Street Lamps in Early Spring :— Night wears a garment All velvet soft, all violet blue . . . And over her face she draws a veil As shimmering fine as floating dew . . . And here and there In the black of her hair The subtle hands of Night Move slowly with their gem-starred light.
—: Moon Tonight :— Moon tonight, Beloved . . . . . When twilight Has gathered together The ends Of her soft robe And the last bird-call Has died. Moon tonight— Cool as a forgotten dream, Dearer than lost twilights Among trees where birds sing No more.
—: Hatred :— I shall hate you Like a dart of singing steel Shot through still air At even-tide. Or solemnly As pines are sober When they stand etched Against the sky. Hating you shall be a game Played with cool hands And slim fingers. Your heart will yearn For the lonely splendor Of the pine tree; While rekindled fires In my eyes Shall wound you like swift arrows. Memory will lay its hands Upon your breast And you will understand My hatred.
Gwendolyn B. Bennett (1902-1981) was “Born in Giddings, Texas. Her father was a lawyer and her mother was a school teacher.” Lived for a time in Wadsworth, Nevada, on the Paiute Indian Reservation, where her parents taught. Studied at “the Fine Arts Department of the Teachers' College at Columbia University, and the Pratt Institute, in Brooklyn, New York.” (Caroling Dusk, 1927) After graduating took a position at Howard University in Washington D.C. where she taught design and water-colour painting.
Bennett was awarded a scholarship and continued her studies in Paris at the Sorbonne, the Académie Julian, and the École du Panthéon. When she returned to America, she lived in New York, and was the assistant editor of Opportunity, for which she also wrote the column ‘The Ebony Flute’ (covering African American literary news). Bennett was a well-known illustrator, poet, and short-and story writer in the 1920s, and co-founded the Harlem renaissance arts magazine Fire!!, with Wallace Thurman, Zora Neale Hurston, Aaron Douglas, Lewis G Alexander, Countee Cullen, Langston Hughes, et al.
Merging her activism and art, Bennett went on to found ‘Harlem Circles’, a network of community groups for Harlem renaissance artists, was later on the board of the Negro Playwright's Guild, and assisted in the establishment of the George Washington Carver Community School. Despite her many achievements, Bennett’s work has largely been forgotten today, and has never received the sustained attention it rightly deserves.
Moon Tonight: The refrain of “moon tonight” coupled with the repetitions of images—particularly “bird call has died” and “birds sing no more”—weaves a spell through the words, producing two poems inside the one: two faces of the moon. One side turned toward the sun, waxing and waning in the earth’s shadow to a regular rhythm. The other turned toward the dark thickness of the universe, scattered with stars, singing as they turn . . .
—: For Gwendolyn Bennett :— by Dick Whyte the purple of the rhododendron throbbing beside the house nestled in the bloom of dusk what magic did the builders of horizons grace you with— O sky? O flower?
Forgotten Poets Press is very proud to present the first ever book-length collection of Gwendolyn Bennett’s complete published poetry from 1923-1927, with beautifully restored illustrations and decorations by Bennett. Available now in paperback ($US12.99) and Kindle (US$4.99).
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"Far frosts are caught
In the moon’s pale light."
Here she sounds like a Tang poet! Thank you for sharing these beauties.
What a treat to read her beautiful poems, especially that first quatrain. I love how you reflected her voice in your own poem, while bringing yourself to it as well.