Helene Mullins - 6 Short Poems (1921-1928)
Forgotten Poems #106 || Reissue #18
—: The Importance of Being :— I am but a fragment Of the universe. Yet I am not so insignificant, For without me There would be a tiny crevice In the great bowl.
—: Conundrum :— Why do Bright pink Hollyhocks Cast grotesque Grey shadows Before them In the dust? Why do Opal Tinted dreams Trail grotesque Grey shadows After them In my life?
—: Lavation :— Drip . . . drip . . . drip . . . Pain trickles down Over the edge of my life. Already the dampness Is causing Little crevices To appear . . . Drip . . . drip . . . drip . . . Without cessation, Without mitigation . . . My life is becoming Water-soaked, And useless . . .
—: Old Attic :— My heart is a curious place. . . . it contains heaps of broken things, bits of dreams, keepsakes of lost loves, photographs of unremembered faces. . . . My heart is a curious place. . . .
—: An Unknown Man :— In the narrow confines Of thy cool stone coffin, Ornate with queer religious texts, Thou liest, Stiff and unsmiling In thy crisp linen bandages, A stern challenge To the infidels surrounding thee, Who, in maudlin pride Of their own fantastic creeds, Dare to sneer At the omnipotent gods Who have bestowed upon thee This phenomenal mark of their favor.
—: The Earth-Dweller :—
Because I play in the sun,
Do you think its rays
Never scorch me?
Because I laugh at life,
Do you think it never thrusts
Its sharp point
Into my heart?
Helene Mullins (1899-1991) was born in New Rochelle, and went on to live most of her adult life in New York City. Contributing editor of the underground arts magazine The Quill. Wrote two novels, Paulus Fy (1924)—in collaboration with her sister Marie Gallegher—and Convent Girl (1929). Published free-verse throughout the 1920s, none of which has previously been collected. Appears to have returned to formal (rhymed) verse in the late 1920s, and went on to publish numerous poetry collections, including Earthbound & Other Poems (1929), Balm in Gillead (1930), and Steams from the Source (1938).
Mullins was also the owner of an underground bookshop in New York: “Does Broadway read? And if so, does it pay for its reading? The answer will soon be known. A tiny book shop has been opened by Helene Mullins… The books she offers for sale are good things. New things which are fine. Nothing of the sensational. We hope she succeeds.” (The Quill, 1923)
For Helene Mullins by Dick Whyte particles—atoms—molecules— cells—tissues—organs— nerves—bones—muscles— fatty—bloody—fleshy— sack of multiplicity— o me o my no me no i lo, endlessly becoming we
Forgotten Poets Press is very proud to present the first ever full-length book of Helene Mullins’ free verse and published poetry from the period covering 1921-1928, never before collected. Featuring a set of beautifully restored wood-cuts by Michigan artist Leo Meissner (1895-1977). Available now in paperback ($US14.99) and Kindle (US$4.99).


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The Importance of Being is striking, but the one that made me drop my jaw is Lavation. Who writes a poem like that, about the corrosive effect pain may have on a human life, over time? Helene Mullins apparently! Incredible.
Your poem had a great warm feel of becoming-ness, for me. :)
wouldn’t you love to spend an afternoon in her bookshop?
And Dick, your absence would leave a very large crevice in the great bowl. 🖤