—: Inhibition :—
The night is pointed With cruel stars, And sharpened By the steel war chant Of ambushed crickets. If there were a blood-red moon, One could carefully Kill the thing he loved And bury it Beneath a monumental pine tree. But the cold bayonets Of the stars Prevent me; And the revengeful crickets Have made me weary of both love and hate.
Upper, Joseph (1891-1954)
P: Contemporary Verse (1919/28), American Poetry Magazine (1919-20), The Smart Set (1920-21), Tempo (1921), Poet Lore (1922-26), Overland Monthly & Out West (1924-27), The Double Dealer (1925), The Wanderer (1924), The Lyric West (1925-27), The Commonweal (1927); short-stories, plays, etc.
Born Joseph Upper Harris, in New York. Worked as a government clerk in Washington D.C. Collaborated with Harold B. Allen on the farcical one-act play, At the Movies (1921).
This reads like a contemporary English-language tanka sequence. The opening stanza is striking, using well-worn images in fresh and arresting ways, and the final lines are expansive, expressing a deep dissatisfaction with the binary structures typical to the English language and philosophy. Why must we choose to either love or hate things (to like or dislike, to recommend or reject, and so on)? What other possibilities exist in the space between (the liminal, the interstitial, the plateau)? So often ‘love’ is posited as a solution to ‘hate’, but within a binary system the “positive” term (i.e. love) always reaffirms its “negation” (i.e. hate): two heads of the same monstrous beast . . .
suspended between creation & destruction— blow wind blow! once you were a god
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More poems about the moon . . .