—: Departure :—
Let me go, not slowly
As one smothers in a cavern,
Waiting doom
Like the sad slow creeping
Of northern dawn;
But let me drop quickly
Like tropic night,
Like one breathless backward
Step from a cliff.

—: All Little Things :— A little song of birds at summer dawning; A little gust of tears when journey end; A little happiness, a little heartache; A little tenderness from friend to friend. A little wind that wakes the leaves at morning; A little rain that patterns in the dust; A little day that we may share together, Then go again our way as all we must. A little love that soon shall be forgotten, That being mortal, scarce will last the day; All little—O speak, declare against it A little word, scarce knowing what to say.

Maude Uschold (p. 1921-35, etc.) was a poet and “journalist from Lacon, Illinois.” (New Mexico Quarterly, 1935) Also a painter: “Uschold has some water-color paintings on exhibition…. [she] has more than ordinary talent and here’s hoping that she may win the prize.” (Lacon Home Journal, 1921) Little else is known of her life, beyond the poems above and these brief notes.

Death Ballad —: After Maude Uschold & John Cage :— by Dick Whyte when death is ready to take me i will laugh loud and long: not because i am ready to go— (i will never be ready to go!) big moon will you be my guide? with your frayed blanket light? (i will never be ready to go!) stars too, with a glowing so old they sing (i will never be ready to go!) in the belly of time laughter is always (i will never be ready to go!) preferable to tears
NOTE: The final few lines reference an interview and performance John Cage gave on television in January, 1960 which has always stayed with me—his way of being seems so gentle and loving—and remains an endless source of inspiration to me in my own approach to poetry and life: “I have nothing to say and I am saying it and that is poetry as I need it.” (John Cage)



Forgotten Poems & Prints: a living anthology of obscure and out-of-print short poems & prints from the late-1800s and early-1900s.
Alex Posey - 5 Very Short Poems (c. 1900-1908)
—: A Reverie :— The sky bends over in a sweet Forgiveness; earth is filled with light; And mellow autumn hues, soft winds That croon of summer lands; and thro' The brooding stillness comes a strain Of music, and, as leaves are swept Upon the river's tide away . . .
Laura Tanne - 6 Short Poems (1925-1928)
—: Waitress :— It's funny— I can't seem to remember anything Except 50-cent checks and customers Who give a smile On the silver plattie of their belly-full good nature. I can't seem to remember anything Except omelettes and torrents of sweat and dish washers . . .
Helen Birch Bartlett - 6 Short Poems (1917-27)
—: October in Illinois :— October— A blood-red line, Low in the western sky— Grey everywhere— Cold and clear The frozen yellow fields— Nearness and distance interchangeable— A single rabbit-hawk Rapidly and sharply Winging its way Into the twilight. . .
Emily Dickinson - 7 Very Short Poems (1863-1885)
“If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way.” (in a letter to T. W. Higginson, 1870)









All of us at some stage have thought about how we would like to depart this life - whether suddenly or slowly would be the best way to go. Maude Uschold clearly favoured the first option and I think I do also. The second poem is quite songlike and could easily be set to music.
big moon
will you be my guide?
with your frayed blanket
light?
💛💛💛